“Metrics of Success in South Asian Contemporary Art” by Shreeansh Agrawal
Between 2008 and 2012, there was a well-known touring exhibition of contemporary art called Indian Highway which travelled to London, Oslo, Herning, Rome, Beijing, and Lyon. In a review, journalist Charles Darwent had the following to say: “To edit the entirety of India’s contemporary art down to 20 or so practitioners is to fall into the trap of imposing order on a thing that will just not have order imposed on it. The result is that we come away from … Read More